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Howth Castle and Environs
Having played around with Adobe Audition CS6's declipper, I have concluded that it is a much more powerful tool than Audacity's Clip Fix.

It works in a similar fashion to Audacity's filter. After reducing the volume by 20 dB or so* (Note that it is not actually necessary to reduce the volume at all, and in fact my examples two posts down assume that you haven't reduced it before declipping. Note also that if you reduce the volume by too much more than 20 dB, the filter won't work - I haven't figured out the exact threshold but when I was trying The Axis of Perdition's first album, I reduced it by 30 dB due to how horribly clipped the record was (DR1, RMS -2.4 dB) and it didn't work), select the section of audio you want to declip. Then go to Effects - Diagnostics - DeClipper (Process). You will want to tweak the settings (in default view, it's in the pane at the centre left) to get the most out of it. Interpolation should be set to FFT. I would use FFT size of 128 to ensure maximum accuracy. FFT stands for "Fast Fourier Transform" and it interpolates information from surrounding frequencies into the recovered dynamic range, something which Audacity's filter doesn't do.

It is the Fourier transform which lifts Audition's declipper well above Audacity's. The problem with Audacity's filter is that, because it does not take into account the frequencies surrounding the clipped audio, it does not eliminate all the distortion caused by clipping. Granted, Audition's doesn't get rid of all the distortion either, but it certainly reduces it a lot more effectively.

"Tolerance" is similar to the "threshold of clipping" feature in Audacity, except it's exactly the reverse. Usually you'll want to leave this at 1%-7%, but in cases like the Moonsorrow fadeout above you may want to increase it further. I haven't experimented with rips of vinyl records where the original master was clipped, but I suspect if there is any way to make the declipper work on those at all you will also have to increase the tolerance quite a bit. (Edit: There isn't. If the master for a vinyl record or a cassette was clipped, there is nothing anyone can do to repair the audio from a rip of that vinyl or cassette, short of getting a copy of the original master).

Once you've set up your settings the way you want them, then select "scan". After that, "Repair All".

Lather, rinse, repeat, largely in the same ways as directed above. Note, however, that one fortunate side effect of the Fourier transform is that it is significantly less common for Audition's filter to overcompensate in the same way Audacity's does; thus it is unlikely you will need to go through the tedious process of applying the hard knee filter repeatedly after you have finished declipping the recording. I would simply use Audition's handy "Normalise to -0.1 dB" feature and export. If you do notice "popping" in certain areas, apply the hard knee filter sparingly to those areas.
__________________


ff · tmv · reds · lj · last.fm · soundcloud · pm for facebook (which I never check)

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ’em, join ’em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe happy man, nor make any celebration of joy.”
-Ursula K. Le Guin, “The Ones Who Walk Away from Omelas

“I never knew a man could tell so many lies
He had a different story for every set of eyes
How can he remember who he’s talking to?
’Cause I know it ain’t me, and I hope it isn’t you”
-Neil Young, “Ambulance Blues”
I’m armed to the teeth
Like a fucking animal
I ruin everything
I get my bony hands on

And here we go now over the bridge of sighs
We will get a cross like Christ, crucified
It’s like a birth but it is in reverse
Never gets better, always gets worse
Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily, this vichyssoise of verbiage veers most verbose vis-à-vis an introduction, so let me simply add that it’s my very good honor to meet you and you may call me V.
Vaulting, veering, vomiting up the values that victimized me, feeling vast,
feeling virginal... was this how he felt? This verve, this vitality... this vision...

La voie... la vérité... la vie.
(SPOILER)
The Dead Flag Blues
The car is on fire, and there’s no driver at the wheel, and the sewers are all muddied with a thousand lonely suicides, and a dark wind blows. The government is corrupt, and we’re on so many drugs with the radio on and the curtains drawn. We are trapped in the belly of this horrible machine, and the machine is bleeding to death. The sun has fallen down, and the billboards are all leering, and the flags are all dead at the top of their poles.

It went like this: The buildings tumbled in on themselves; mothers clutching babies picked through the rubble and pulled out their hair. The skyline was beautiful on fire, all twisted metal stretching upwards, everything washed in a thin orange haze. I said, “Kiss me, you are beautiful; these are truly the last days.” You grabbed my hand, and we fell into it like a daydream or a fever.

We woke up one morning and fell a little further down; for sure it’s the valley of death. I open up my wallet, and it’s full of blood.
Gravity’s Rainbow
The Smashing Pumpkins
we can watch the world devoured in its hate.
The late prophet Bill Hicks
I’m so sick of arming the world and then sending troops over to destroy the fucking arms, you know what I mean? We keep arming these little countries then we go and blow the shit out of ’em. We’re like the bullies of the world, you know. We’re like Jack Palance in the movie Shane, throwing the pistol at the sheep herder’s feet: “Pick it up.” “I don’t wanna pick it up, mister; you’ll shoot me.” “Pick up the gun.” “Mister, I don’t want no trouble, huh. I just came downtown here to get some hard rock candy for my kids, some gingham for my wife. I don’t even know what gingham is, but she goes through about ten rolls a week of that stuff. I ain’t looking for no trouble, mister.” “Pick up the gun.” Boom, boom. “You all saw him. He had a gun.”

moar I’ll show you politics in America. Here it is, right here. “I think the puppet on the right shares my beliefs.” “I think the puppet on the left is more to my liking.” “Hey, wait a minute, there’s one guy holding out both puppets!” “Shut up! Go back to bed, America! Your government is in control. Here's Love Connection. Watch this and get fat and stupid. By the way, keep drinking beer, you fucking morons.”

All governments are liars and murderers. Go back to bed, America! Your government has figured out how it all transpired. Go back to bed, America! Your government is in control again. Here, here’s American Gladiators. Watch this, shut up! Go back to bed, America! Here is American Gladiators; here is 56 channels of it! Watch these pituitary retards bang their fucking skulls together and congratulate you on living in the land of freedom! Here you go, America: You are free to do what we tell you! You are free to do what we tell you!

The Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that’s their definition, essentially. No artistic merit, causes sexual thoughts. Hmm… Sounds like… every commercial on television, doesn’t it? You know, when I see those two twins on that Doublemint commercial? I’m not thinking of gum. I am thinking of chewing, so maybe that’s the connection they’re trying to make.

I have this feeling man, ’cause you know, it’s just a handful of people who run everything, you know… that’s true, it’s provable. It’s not… I’m not a fucking conspiracy nut; it’s provable. A handful, a very small elite, run and own these corporations, which include the mainstream media. I have this feeling that whoever is elected president, like Clinton was, no matter what you promise on the campaign trail – blah, blah, blah – when you win, you go into this smoke-filled room with the twelve industrialist capitalist scumfucks who got you in there. And you’re in this smoky room, and this little film screen comes down, and a big guy with a cigar goes, “Roll the film.” And it’s a shot of the Kennedy assassination from an angle you’ve never seen before that looks suspiciously like it’s from the grassy knoll. And then the screen goes up and the lights come up, and they go to the new president, “Any questions?” “Er, just what my agenda is.” “First we bomb Baghdad.” “You got it…”

They don’t want the voice of reason spoken, folks, ’cause otherwise, we’d be free. Otherwise, we wouldn’t believe their fucking horseshit lies, nor the fucking propaganda machine of the mainstream media and buy their horseshit products that we don’t fucking need and become a third world consumer fucking plantation, which is what we’re becoming. Fuck them! They are liars and murderers. All governments are liars and murderers, and I am now Jesus, and this is MY compound.

The world is like a ride at an amusement park. It goes up and down and round and round. It has thrills and chills and it’s very brightly coloured and it’s very loud and it’s fun for awhile. Some people have been on the ride for a long time and they begin to question, is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, “hey – don't worry, don’t be afraid, ever, because this is just a ride…” And we… kill those people. Haha. “Shut him up. We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.” It’s just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. Jesus murdered; Martin Luther King mudered; Malcolm X murdered; Gandhi murdered; John Lennon murdered; Reagan… wounded. But it doesn’t matter because it’s just a ride. And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one. Here’s what we can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. Thank you; you’ve been great.

ACF awards an' shit Best Member Rep · Best Signature · Most Respected · Best Poster · Best Debater · Most Intelligent · Most Political Knowledge · Second Most Literary Knowledge · Third Best Male Member (Tie) · Third Most Likely to Get Modded (Tie) · Third Most Likely to Become the Next Admin
quote
Howth Castle and Environs
Having played around a bit more with Audition's filter, I have a few other things to report:

Sometimes it craps out on really badly clipped recordings. I can't get it to do anything with The Axis of Perdition's The Ichneumon Method (which is my go-to test for excessive clipping, as it was inexplicably mastered at an atrocious -2.4 dB RMS; I guess the band wanted it to sound as shitty as possible, which is particularly inexplicable since their latest album is mastered pristinely) that sounds even remotely palatable, and there are so many cases of clipping on the record that Audition just gives up after about a minute of processing. Unfortunately, it gives up at different times on each channel. There is a solution to this, but it's particularly annoying.

What you have to do in cases like this is select each channel individually (you can highlight the "R" and "L" at the far-right of the channel, or sometimes they say "1" and "2") and just resume the filter shortly after the problem. (There are some instances of clipping that Audition simply refuses to correct. Luckily you can just leave those single instances and resume immediately after and the result will be almost inaudible. Write down where they occur in the recordings and use Audacity to repair them if you're really anal about it, but I doubt anyone will notice it.

The other thing is that Audition's declipper is much more finicky than Audacity's (which makes sense, since it's a much more complicated algorithm). You may have to tweak the settings a lot to get something even remotely listenable. Due to the uneven clipping on that particular recording, I thought that with Deathspell Omega's Drought I would end up having to chop off the tops of the waveform and let Audition work its magic from an even-more-clipped version, but that wound up producing an unlistenable mess because the filter hideously overcompensated. I could use Audition's much-more-sophisticated dynamics processing filter to make it more listenable, but the audible effects of compression were more than apparent and it wound up being noticeably louder than most of the other records in my collection even after I applied ReplayGain.

The solution turned out to be setting the tolerance to 10%. Apparently Audition's filter is fine with not-perfectly-even clipping. The record actually sounds like it was mastered competently now. Praise the Dark Lord.

Note that in the several recordings I've used this on thus far, it usually doesn't overcompensate but there may be occasional cases per recording on a moderately clipped recording where there are noticeable pops. I haven't bothered fixing these because they're much less annoying than clipping, and they're also much less annoying than compression. On really, really badly clipped recordings (like the aforementioned Axis of Perdition album, or probably Iggy Pop's CD remix of Raw Power if you feel compelled to try using that as a test - though why you'd bother when the vinyl rip exists is anyone's guess), though, you're definitely going to need to use the dynamics processing filter.
__________________


ff · tmv · reds · lj · last.fm · soundcloud · pm for facebook (which I never check)

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ’em, join ’em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe happy man, nor make any celebration of joy.”
-Ursula K. Le Guin, “The Ones Who Walk Away from Omelas

“I never knew a man could tell so many lies
He had a different story for every set of eyes
How can he remember who he’s talking to?
’Cause I know it ain’t me, and I hope it isn’t you”
-Neil Young, “Ambulance Blues”
I’m armed to the teeth
Like a fucking animal
I ruin everything
I get my bony hands on

And here we go now over the bridge of sighs
We will get a cross like Christ, crucified
It’s like a birth but it is in reverse
Never gets better, always gets worse
Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily, this vichyssoise of verbiage veers most verbose vis-à-vis an introduction, so let me simply add that it’s my very good honor to meet you and you may call me V.
Vaulting, veering, vomiting up the values that victimized me, feeling vast,
feeling virginal... was this how he felt? This verve, this vitality... this vision...

La voie... la vérité... la vie.
(SPOILER)
The Dead Flag Blues
The car is on fire, and there’s no driver at the wheel, and the sewers are all muddied with a thousand lonely suicides, and a dark wind blows. The government is corrupt, and we’re on so many drugs with the radio on and the curtains drawn. We are trapped in the belly of this horrible machine, and the machine is bleeding to death. The sun has fallen down, and the billboards are all leering, and the flags are all dead at the top of their poles.

It went like this: The buildings tumbled in on themselves; mothers clutching babies picked through the rubble and pulled out their hair. The skyline was beautiful on fire, all twisted metal stretching upwards, everything washed in a thin orange haze. I said, “Kiss me, you are beautiful; these are truly the last days.” You grabbed my hand, and we fell into it like a daydream or a fever.

We woke up one morning and fell a little further down; for sure it’s the valley of death. I open up my wallet, and it’s full of blood.
Gravity’s Rainbow
The Smashing Pumpkins
we can watch the world devoured in its hate.
The late prophet Bill Hicks
I’m so sick of arming the world and then sending troops over to destroy the fucking arms, you know what I mean? We keep arming these little countries then we go and blow the shit out of ’em. We’re like the bullies of the world, you know. We’re like Jack Palance in the movie Shane, throwing the pistol at the sheep herder’s feet: “Pick it up.” “I don’t wanna pick it up, mister; you’ll shoot me.” “Pick up the gun.” “Mister, I don’t want no trouble, huh. I just came downtown here to get some hard rock candy for my kids, some gingham for my wife. I don’t even know what gingham is, but she goes through about ten rolls a week of that stuff. I ain’t looking for no trouble, mister.” “Pick up the gun.” Boom, boom. “You all saw him. He had a gun.”

moar I’ll show you politics in America. Here it is, right here. “I think the puppet on the right shares my beliefs.” “I think the puppet on the left is more to my liking.” “Hey, wait a minute, there’s one guy holding out both puppets!” “Shut up! Go back to bed, America! Your government is in control. Here's Love Connection. Watch this and get fat and stupid. By the way, keep drinking beer, you fucking morons.”

All governments are liars and murderers. Go back to bed, America! Your government has figured out how it all transpired. Go back to bed, America! Your government is in control again. Here, here’s American Gladiators. Watch this, shut up! Go back to bed, America! Here is American Gladiators; here is 56 channels of it! Watch these pituitary retards bang their fucking skulls together and congratulate you on living in the land of freedom! Here you go, America: You are free to do what we tell you! You are free to do what we tell you!

The Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that’s their definition, essentially. No artistic merit, causes sexual thoughts. Hmm… Sounds like… every commercial on television, doesn’t it? You know, when I see those two twins on that Doublemint commercial? I’m not thinking of gum. I am thinking of chewing, so maybe that’s the connection they’re trying to make.

I have this feeling man, ’cause you know, it’s just a handful of people who run everything, you know… that’s true, it’s provable. It’s not… I’m not a fucking conspiracy nut; it’s provable. A handful, a very small elite, run and own these corporations, which include the mainstream media. I have this feeling that whoever is elected president, like Clinton was, no matter what you promise on the campaign trail – blah, blah, blah – when you win, you go into this smoke-filled room with the twelve industrialist capitalist scumfucks who got you in there. And you’re in this smoky room, and this little film screen comes down, and a big guy with a cigar goes, “Roll the film.” And it’s a shot of the Kennedy assassination from an angle you’ve never seen before that looks suspiciously like it’s from the grassy knoll. And then the screen goes up and the lights come up, and they go to the new president, “Any questions?” “Er, just what my agenda is.” “First we bomb Baghdad.” “You got it…”

They don’t want the voice of reason spoken, folks, ’cause otherwise, we’d be free. Otherwise, we wouldn’t believe their fucking horseshit lies, nor the fucking propaganda machine of the mainstream media and buy their horseshit products that we don’t fucking need and become a third world consumer fucking plantation, which is what we’re becoming. Fuck them! They are liars and murderers. All governments are liars and murderers, and I am now Jesus, and this is MY compound.

The world is like a ride at an amusement park. It goes up and down and round and round. It has thrills and chills and it’s very brightly coloured and it’s very loud and it’s fun for awhile. Some people have been on the ride for a long time and they begin to question, is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, “hey – don't worry, don’t be afraid, ever, because this is just a ride…” And we… kill those people. Haha. “Shut him up. We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.” It’s just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. Jesus murdered; Martin Luther King mudered; Malcolm X murdered; Gandhi murdered; John Lennon murdered; Reagan… wounded. But it doesn’t matter because it’s just a ride. And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one. Here’s what we can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. Thank you; you’ve been great.

ACF awards an' shit Best Member Rep · Best Signature · Most Respected · Best Poster · Best Debater · Most Intelligent · Most Political Knowledge · Second Most Literary Knowledge · Third Best Male Member (Tie) · Third Most Likely to Get Modded (Tie) · Third Most Likely to Become the Next Admin
quote
Howth Castle and Environs
Having played around a lot more with Audition's features, I can report the following things:

The declipper does overcompensate a fair amount. Not as much as Audacity's, on the whole, and because Audition's features are much more sophisticated than Audacity's the workarounds are a lot more simple than they are in Audacity.

The first thing I would note is that if it was particularly difficult to declip the album (inconsistent levels of clipping, clipping over fadeout or other weirdness) then I would save a copy of the uncompressed file just in case the compressed version comes out still sounding weird. You will need to reduce the volume to get the audio saved properly. 15 dB usually works, but you can use 20 dB if the album you just declipped was particularly loud.

Anyway, one solution to the declipper's overcompensation is a three-step process. The first step is, if you didn't reduce the volume of the audio before declipping or before exporting the uncompressed audio as in the previous paragraph, to reduce the volume by x dB (if you're not going to export the pre-compressed audio, it doesn't really matter what x is, as long as it's greater than three, but make sure you remember it; if you have already reduced the volume, then substitute whatever you decreased the volume by for x). You will already have done this if you followed the instructions in the previous paragraph. Then use the "Single-Band Compressor" with the following settings: (Threshold: 3 - |x| dB* [Note that |x| means absolute x; in other words, if you are assuming that x is negative, then it means -x, while if you are assuming that x is positive, then it means x]; Ratio: 4:1; Attack: 1ms; Release: 1ms; Output gain: 0 dB). If need be, you can tweak these slightly to do whatever you want. If you're preparing audio for a 5.1-channel DVD-Audio mixdown (the only clipped 5.1-channel DVD-A I know of offhand is Porcupine Tree's In Absentia but I'm sure there are others) then I would recommend changing the threshold to x + 2 dB or even x + 1.5 dB, because you'll have a lot more declipping in each channel. Afteer that point, select "Normalise to -0.1 dB" in the "Favourites" menu. Now export.

The other alternative, if you want to leave the volume exactly the same as on the original recording (I don't really know why you would), is to use the hard limiter. Audition's hard limiter, unlike Audacity's, is actually a limiter, so the settings work a lot differently from the settings under Audacity (to the point where if you need to clip off the audio at a constant level, you'll have to use Audacity to do that - I don't know of a way to do that in Audition). The following settings will enable you to leave the volume intact: (Maximum Amplitude: -0.1 dB; Input Boost: 0 dB; Look-Ahead Time: 7 ms; Release Time: 100 ms). You can probably reduce Look-Ahead and Release Time if you want but I just left the defaults in there. This will be a one-step process but it won't leave you with any additional dynamics; it will just get rid of the clipping. (Most of it, anyway; the detector will still come up with some stuff that looks like clipping after you've done it, but it will at least probably sound better than the original recording).

You can also use the hard limiter after you've followed the previous steps with the single-band compressor. You will probably want to use the input boost with this.

(Note that Audition's hard limiter has a completely different function from Audacity's, which is really a hard knee filter. If you use Audacity's with a residue of 0, it will clip the recording at a consistent level. Leaving it above 0 will result in hard kneeing - hence why I recommended its usage as a compressor in Audacity. Needless to say, though, Audition's compressors are much more sophisticated. However, I am currently unaware of a hard knee filter in Audition).

There are a number of other compression filters that I haven't really played around with much. There are a number of potentially useful presets. I would note that the dynamics processor seems to come up with rather erratic results; I wanted to try using the expander on albums that were brickwalled with limiters (rather than clipping), but it resulted in strange sounds with acoustic guitars among other things.

Oh, and as for that Axis of Perdition example, I found out that the band didn't intend it to sound that shitty; they just didn't know anything about mastering when they mastered it. Kanye West, on the other hand, has no excuse. I have no idea what the fuck he was thinking when he mastered 808s and MBDTF.
__________________


ff · tmv · reds · lj · last.fm · soundcloud · pm for facebook (which I never check)

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ’em, join ’em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe happy man, nor make any celebration of joy.”
-Ursula K. Le Guin, “The Ones Who Walk Away from Omelas

“I never knew a man could tell so many lies
He had a different story for every set of eyes
How can he remember who he’s talking to?
’Cause I know it ain’t me, and I hope it isn’t you”
-Neil Young, “Ambulance Blues”
I’m armed to the teeth
Like a fucking animal
I ruin everything
I get my bony hands on

And here we go now over the bridge of sighs
We will get a cross like Christ, crucified
It’s like a birth but it is in reverse
Never gets better, always gets worse
Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily, this vichyssoise of verbiage veers most verbose vis-à-vis an introduction, so let me simply add that it’s my very good honor to meet you and you may call me V.
Vaulting, veering, vomiting up the values that victimized me, feeling vast,
feeling virginal... was this how he felt? This verve, this vitality... this vision...

La voie... la vérité... la vie.
(SPOILER)
The Dead Flag Blues
The car is on fire, and there’s no driver at the wheel, and the sewers are all muddied with a thousand lonely suicides, and a dark wind blows. The government is corrupt, and we’re on so many drugs with the radio on and the curtains drawn. We are trapped in the belly of this horrible machine, and the machine is bleeding to death. The sun has fallen down, and the billboards are all leering, and the flags are all dead at the top of their poles.

It went like this: The buildings tumbled in on themselves; mothers clutching babies picked through the rubble and pulled out their hair. The skyline was beautiful on fire, all twisted metal stretching upwards, everything washed in a thin orange haze. I said, “Kiss me, you are beautiful; these are truly the last days.” You grabbed my hand, and we fell into it like a daydream or a fever.

We woke up one morning and fell a little further down; for sure it’s the valley of death. I open up my wallet, and it’s full of blood.
Gravity’s Rainbow
The Smashing Pumpkins
we can watch the world devoured in its hate.
The late prophet Bill Hicks
I’m so sick of arming the world and then sending troops over to destroy the fucking arms, you know what I mean? We keep arming these little countries then we go and blow the shit out of ’em. We’re like the bullies of the world, you know. We’re like Jack Palance in the movie Shane, throwing the pistol at the sheep herder’s feet: “Pick it up.” “I don’t wanna pick it up, mister; you’ll shoot me.” “Pick up the gun.” “Mister, I don’t want no trouble, huh. I just came downtown here to get some hard rock candy for my kids, some gingham for my wife. I don’t even know what gingham is, but she goes through about ten rolls a week of that stuff. I ain’t looking for no trouble, mister.” “Pick up the gun.” Boom, boom. “You all saw him. He had a gun.”

moar I’ll show you politics in America. Here it is, right here. “I think the puppet on the right shares my beliefs.” “I think the puppet on the left is more to my liking.” “Hey, wait a minute, there’s one guy holding out both puppets!” “Shut up! Go back to bed, America! Your government is in control. Here's Love Connection. Watch this and get fat and stupid. By the way, keep drinking beer, you fucking morons.”

All governments are liars and murderers. Go back to bed, America! Your government has figured out how it all transpired. Go back to bed, America! Your government is in control again. Here, here’s American Gladiators. Watch this, shut up! Go back to bed, America! Here is American Gladiators; here is 56 channels of it! Watch these pituitary retards bang their fucking skulls together and congratulate you on living in the land of freedom! Here you go, America: You are free to do what we tell you! You are free to do what we tell you!

The Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that’s their definition, essentially. No artistic merit, causes sexual thoughts. Hmm… Sounds like… every commercial on television, doesn’t it? You know, when I see those two twins on that Doublemint commercial? I’m not thinking of gum. I am thinking of chewing, so maybe that’s the connection they’re trying to make.

I have this feeling man, ’cause you know, it’s just a handful of people who run everything, you know… that’s true, it’s provable. It’s not… I’m not a fucking conspiracy nut; it’s provable. A handful, a very small elite, run and own these corporations, which include the mainstream media. I have this feeling that whoever is elected president, like Clinton was, no matter what you promise on the campaign trail – blah, blah, blah – when you win, you go into this smoke-filled room with the twelve industrialist capitalist scumfucks who got you in there. And you’re in this smoky room, and this little film screen comes down, and a big guy with a cigar goes, “Roll the film.” And it’s a shot of the Kennedy assassination from an angle you’ve never seen before that looks suspiciously like it’s from the grassy knoll. And then the screen goes up and the lights come up, and they go to the new president, “Any questions?” “Er, just what my agenda is.” “First we bomb Baghdad.” “You got it…”

They don’t want the voice of reason spoken, folks, ’cause otherwise, we’d be free. Otherwise, we wouldn’t believe their fucking horseshit lies, nor the fucking propaganda machine of the mainstream media and buy their horseshit products that we don’t fucking need and become a third world consumer fucking plantation, which is what we’re becoming. Fuck them! They are liars and murderers. All governments are liars and murderers, and I am now Jesus, and this is MY compound.

The world is like a ride at an amusement park. It goes up and down and round and round. It has thrills and chills and it’s very brightly coloured and it’s very loud and it’s fun for awhile. Some people have been on the ride for a long time and they begin to question, is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, “hey – don't worry, don’t be afraid, ever, because this is just a ride…” And we… kill those people. Haha. “Shut him up. We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.” It’s just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. Jesus murdered; Martin Luther King mudered; Malcolm X murdered; Gandhi murdered; John Lennon murdered; Reagan… wounded. But it doesn’t matter because it’s just a ride. And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one. Here’s what we can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. Thank you; you’ve been great.

ACF awards an' shit Best Member Rep · Best Signature · Most Respected · Best Poster · Best Debater · Most Intelligent · Most Political Knowledge · Second Most Literary Knowledge · Third Best Male Member (Tie) · Third Most Likely to Get Modded (Tie) · Third Most Likely to Become the Next Admin
quote
Omni
You were also duty bound to misspell the word "thread" in the thread title.
__________________
All the Witches Dance
quote
Howth Castle and Environs
True. "Thread" and "post" are regularly misspelled here because we have a strange sense of humour.

I should write up a guide to declipping with iZotope RX5 Advanced, except that it's so self-explanatory I haven't really gotten around to seeing the need. I recommend using that to declip albums, though. It works much better than Audacity and significantly better than Audition.
__________________


ff · tmv · reds · lj · last.fm · soundcloud · pm for facebook (which I never check)

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ’em, join ’em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe happy man, nor make any celebration of joy.”
-Ursula K. Le Guin, “The Ones Who Walk Away from Omelas

“I never knew a man could tell so many lies
He had a different story for every set of eyes
How can he remember who he’s talking to?
’Cause I know it ain’t me, and I hope it isn’t you”
-Neil Young, “Ambulance Blues”
I’m armed to the teeth
Like a fucking animal
I ruin everything
I get my bony hands on

And here we go now over the bridge of sighs
We will get a cross like Christ, crucified
It’s like a birth but it is in reverse
Never gets better, always gets worse
Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily, this vichyssoise of verbiage veers most verbose vis-à-vis an introduction, so let me simply add that it’s my very good honor to meet you and you may call me V.
Vaulting, veering, vomiting up the values that victimized me, feeling vast,
feeling virginal... was this how he felt? This verve, this vitality... this vision...

La voie... la vérité... la vie.
(SPOILER)
The Dead Flag Blues
The car is on fire, and there’s no driver at the wheel, and the sewers are all muddied with a thousand lonely suicides, and a dark wind blows. The government is corrupt, and we’re on so many drugs with the radio on and the curtains drawn. We are trapped in the belly of this horrible machine, and the machine is bleeding to death. The sun has fallen down, and the billboards are all leering, and the flags are all dead at the top of their poles.

It went like this: The buildings tumbled in on themselves; mothers clutching babies picked through the rubble and pulled out their hair. The skyline was beautiful on fire, all twisted metal stretching upwards, everything washed in a thin orange haze. I said, “Kiss me, you are beautiful; these are truly the last days.” You grabbed my hand, and we fell into it like a daydream or a fever.

We woke up one morning and fell a little further down; for sure it’s the valley of death. I open up my wallet, and it’s full of blood.
Gravity’s Rainbow
The Smashing Pumpkins
we can watch the world devoured in its hate.
The late prophet Bill Hicks
I’m so sick of arming the world and then sending troops over to destroy the fucking arms, you know what I mean? We keep arming these little countries then we go and blow the shit out of ’em. We’re like the bullies of the world, you know. We’re like Jack Palance in the movie Shane, throwing the pistol at the sheep herder’s feet: “Pick it up.” “I don’t wanna pick it up, mister; you’ll shoot me.” “Pick up the gun.” “Mister, I don’t want no trouble, huh. I just came downtown here to get some hard rock candy for my kids, some gingham for my wife. I don’t even know what gingham is, but she goes through about ten rolls a week of that stuff. I ain’t looking for no trouble, mister.” “Pick up the gun.” Boom, boom. “You all saw him. He had a gun.”

moar I’ll show you politics in America. Here it is, right here. “I think the puppet on the right shares my beliefs.” “I think the puppet on the left is more to my liking.” “Hey, wait a minute, there’s one guy holding out both puppets!” “Shut up! Go back to bed, America! Your government is in control. Here's Love Connection. Watch this and get fat and stupid. By the way, keep drinking beer, you fucking morons.”

All governments are liars and murderers. Go back to bed, America! Your government has figured out how it all transpired. Go back to bed, America! Your government is in control again. Here, here’s American Gladiators. Watch this, shut up! Go back to bed, America! Here is American Gladiators; here is 56 channels of it! Watch these pituitary retards bang their fucking skulls together and congratulate you on living in the land of freedom! Here you go, America: You are free to do what we tell you! You are free to do what we tell you!

The Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that’s their definition, essentially. No artistic merit, causes sexual thoughts. Hmm… Sounds like… every commercial on television, doesn’t it? You know, when I see those two twins on that Doublemint commercial? I’m not thinking of gum. I am thinking of chewing, so maybe that’s the connection they’re trying to make.

I have this feeling man, ’cause you know, it’s just a handful of people who run everything, you know… that’s true, it’s provable. It’s not… I’m not a fucking conspiracy nut; it’s provable. A handful, a very small elite, run and own these corporations, which include the mainstream media. I have this feeling that whoever is elected president, like Clinton was, no matter what you promise on the campaign trail – blah, blah, blah – when you win, you go into this smoke-filled room with the twelve industrialist capitalist scumfucks who got you in there. And you’re in this smoky room, and this little film screen comes down, and a big guy with a cigar goes, “Roll the film.” And it’s a shot of the Kennedy assassination from an angle you’ve never seen before that looks suspiciously like it’s from the grassy knoll. And then the screen goes up and the lights come up, and they go to the new president, “Any questions?” “Er, just what my agenda is.” “First we bomb Baghdad.” “You got it…”

They don’t want the voice of reason spoken, folks, ’cause otherwise, we’d be free. Otherwise, we wouldn’t believe their fucking horseshit lies, nor the fucking propaganda machine of the mainstream media and buy their horseshit products that we don’t fucking need and become a third world consumer fucking plantation, which is what we’re becoming. Fuck them! They are liars and murderers. All governments are liars and murderers, and I am now Jesus, and this is MY compound.

The world is like a ride at an amusement park. It goes up and down and round and round. It has thrills and chills and it’s very brightly coloured and it’s very loud and it’s fun for awhile. Some people have been on the ride for a long time and they begin to question, is this real, or is this just a ride? And other people have remembered, and they come back to us, they say, “hey – don't worry, don’t be afraid, ever, because this is just a ride…” And we… kill those people. Haha. “Shut him up. We have a lot invested in this ride. Shut him up. Look at my furrows of worry. Look at my big bank account and my family. This just has to be real.” It’s just a ride. But we always kill those good guys who try and tell us that, you ever notice that? And let the demons run amok. Jesus murdered; Martin Luther King mudered; Malcolm X murdered; Gandhi murdered; John Lennon murdered; Reagan… wounded. But it doesn’t matter because it’s just a ride. And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings and money. A choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love, instead, see all of us as one. Here’s what we can do to change the world, right now, to a better ride. Take all that money that we spend on weapons and defences each year and instead spend it feeding and clothing and educating the poor of the world, which it would many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace. Thank you; you’ve been great.

ACF awards an' shit Best Member Rep · Best Signature · Most Respected · Best Poster · Best Debater · Most Intelligent · Most Political Knowledge · Second Most Literary Knowledge · Third Best Male Member (Tie) · Third Most Likely to Get Modded (Tie) · Third Most Likely to Become the Next Admin
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